Cinderella Divine
One Shoulder Satin Wedding Gown with Leg Slit
One Shoulder Satin Wedding Gown with Leg Slit
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Ships To: United States
A single shoulder is the quiet answer to everything that goes wrong with strapless. The One Shoulder Satin Wedding Gown with Leg Slit anchors the bodice at one point, so the gown has something holding it up besides friction, and the sweetheart neckline underneath still gives you the shape a strapless dress is chosen for.
One Shoulder Solves Strapless
Strapless gowns are adjusted more than any other neckline, and the reason is mechanical rather than aesthetic: the whole garment is held by tension around the ribcage. Add one shoulder and part of that load moves upward.
The asymmetry also does something a symmetrical neckline cannot. A diagonal line across the collarbone breaks the horizontal of a straight strapless edge, which lengthens the neck and shoulder on the covered side and draws the eye upward through the photograph.
Boning under Gathered Satin
The bodice is boned, meaning rigid strips are sewn into its seams to stop the fabric collapsing inward. That is what keeps a fitted satin gown standing where it was placed through a ceremony, a receiving line and a first dance.
Over it, the waist is gathered and the hipline ruched, and both of those are doing visual work: gathered satin catches light in short broken runs rather than one long sweep. A leg slit through the fitted skirt gives back the walking room that a close cut takes away, which matters on an aisle and on stairs.
Ceremonies and Second Looks
This is a bridal gown first, and a strong reception or second-look dress after that. It also works as an engagement or courthouse gown where a full traditional dress would be too much.
The one shoulder decides your hair and your jewelry, not the other way around. Hair is worn up or swept to the bare side so the covered shoulder reads clean, and a necklace competes with the diagonal rather than complementing it. Earrings are the accessory this neckline wants.
Reading a Boned Bodice
Eight numeric bands are cut, in the single off white colorway.
| Size | Bust (in) | Waist (in) | Hips (in) |
|---|---|---|---|
| 4 | 34 | 26 | 37 |
| 6 | 35 | 27 | 38 |
| 8 | 36 | 28 | 39 |
| 10 | 37 | 29 | 40 |
| 12 | 38 | 30 | 41 |
| 14 | 40 | 32 | 43 |
| 16 | 42 | 34 | 45 |
| 18 | 44 | 36 | 47 |
Every figure above is in inches and is taken on the body rather than on the finished garment, so measure the fullest part of the bust, the narrowest part of the waist an inch or two above the navel, and the fullest part of the hips.
Order early and expect one fitting. A boned bodice has no ease built into it, so the band that is closest wins and a tailor closes the last half inch. Bringing one in is routine work; letting one out is not possible, because the bones themselves sit in the seams that would have to move.
Hair, Jewelry and Alterations
Can a strap be added to the bare shoulder? It can, and a seamstress does it by matching a strip of the same satin, but it changes the design rather than adjusting it. The diagonal is the point of the gown; adding the second strap makes it a conventional bodice with an odd neckline.
How much can a boned bodice be taken in? About two sizes, which is the general rule for a formal dress. The work means opening the seams around each bone and resetting them, so it costs more and takes longer than an unstructured bodice and it should be booked weeks ahead.
Can the slit be sewn higher? Yes, and it is one of the cheapest alterations available. The slit is a seam left open below a stitched point, so moving that point up takes minutes and does not touch the hem or the drape.
How is satin protected before the day? Hanging in a breathable bag away from light, and never folded. Satin holds a crease as a bright line that steam does not always lift, and prolonged light on off white shifts the shade unevenly.
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